These songs weren’t written at the same time, but they come from the same place. Over the years, they started to feel connected, like pieces of the same conversation. Sometimes it’s clear, sometimes it’s a bit cryptic, but it’s honest all the way through.
The record opens with “Medication.”
That song wasn’t planned. It came out of a moment I couldn’t ignore. It’s raw and immediate, and it sets the tone for everything that follows. It’s not meant to be comfortable. It’s meant to be felt.
And then it moves into “Soon It Will Be.”
There’s no real break between the two. It just shifts. Where “Medication” is tension, “Soon It Will Be” is a kind of release. Not an answer, but a breath. It carries everything from the first track but reaches for something more human, something hopeful.
That transition is really the heart of the record for me.
The whole album lives in that space between confrontation and connection. It doesn’t try to wrap things up neatly. It just tells the truth as I hear it.
That’s what DON’T FEED THE BAD WOLF is.
Take from it what you need.